This piece is sovereignly dominated by bass and guitar. But when a favourable opportunity arises for the keyboards, they take over sole rule with a stroke of the hand. Quite surprising, because they didn’t even happen in the piece before. Of course, bass and guitar immediately comment with W.t.F? Will they be able to take back the lead? And on which side is the drums anyway?
Or are they rather two drummers that simply do their own thing?
And why do four attractive women dance to the tune on the roof? A diversionary manoeuvre of the Keyboard faction? Damn, do I have to speak a word of power and intervene here as an arranger?
At this moment I wake up bathed in sweat. Usually in such cases my first thought is: Now a nice whisky spritzer on ice. But as so often, I put this attractive thought aside again and start my recording device instead. Cheers, Mario.
Cheap Tricks on the Rooftop